一个停车idea，
怎样变成
两分钟短片？

Image 1 为本页左侧空位布局图，是本次唯一上传参考，只约束空间、比例、方向与机位。模型负责将低模转为摄影画面；中央保持空位，218编号与高亮框留到后期合成。

Create a new photographic underground-office-parking still using Image 1 ONLY as a measured composition and spatial-layout guide. Replace the primitive blockout appearance with believable real-world photography. Do not preserve its box-shaped toy vehicles, faceted body panels or flat shading.

Scene and geometry:
Show one compact three-bay parking group in a neutral grey office garage. The central target bay is completely empty, a medium silver-grey four-door sedan occupies the bay on its left, and a dark graphite four-door sedan occupies the bay on its right. Both neighbours face nose-first toward the foreground driving aisle, with their rears toward the back wall. Keep their positions, relative body sizes and directions from Image 1. No extra vehicles. The bays are identical, approximately 2.65 metres wide and 5.4 metres deep, and the neighbouring sedans are about 4.7 metres long and 1.85 metres wide; these are proportional art-direction guides, not signs to render. Maintain visible clearance around each parked car. Do not stretch one car larger than the other, make a miniature neighbour, or widen the empty target into a double bay.

Wheel stops and boundaries:
Each bay has the same two low black rubber wheel stops with small yellow inserts, each about 0.56m wide, 0.18m deep and 0.12m tall, placed symmetrically at the rear-wheel positions. Keep the two target-bay stops visible and aligned at the same setback as the neighbours' stops, allowing real occlusion by parked vehicles. Exactly two stops per bay, not a single concrete beam or an invented pile of blocks. Match the white boundary lines and column locations from Image 1; columns remain outside the car envelopes. All tires rest on the ground, parked bodies remain within their bay markings, and the foreground aisle remains clear.

Camera and image hierarchy:
Use Image 1's driver's-eye-height camera in the aisle on the same side of the parked-car axis. Look slightly toward the empty central bay; show its clear entry and both side lines. Keep the central empty bay readable and the two neighbours secondary. An extremely narrow dark windshield/dashboard edge may be visible at the bottom but must not cover the target floor, change the camera or add a person. Do not mirror the image or turn either neighbour around. Keep the target and neighbours at Image 1's perspective, not a newly invented garage view.

Photographic finish:
Realistic everyday sedans with curved sheet metal, normal tires and wheels, understated lamps, black window trim and natural glass. The left silver-grey sedan and right graphite sedan are both ordinary similar-sized four-door cars, not SUVs or sports cars. Use soft neutral overhead strip lighting, plain light-grey concrete walls and columns, subtle ceiling pipes, matte grey epoxy floor with very mild reflections and natural contact shadows. Concrete is smooth-to-finely-grained, not a repeated swirled, embossed, stippled or etched pattern. No dramatic headlights, glossy showroom floor, fog or coloured lighting. Keep the real-world scale and camera of the layout while improving materials and automotive realism.

Use case and constraints:
This is shot 4-10: the driver recognizes a specific available space, not a panoramic tour of an empty garage. The following shot shows the white protagonist car parked in this exact central bay. Do not put that white car here yet. Leave the empty floor unnumbered for local perspective-compositing of 218. No text, digits, signs, arrows, bay number, cyan line, glowing boundary, map, interface, logo, readable licence plate, person, hands, white car, extra car, extra bay or collage. Return one complete 16:9 photographic scene, 2048x1152, not the blockout, not a grid and not a drawing.

Image 1 为本页右侧停妥布局图，约束空间与尺度；Image 2 为早期白车细节参考，只约束白车外观，不继承其室外背景。两张布局分别用于两次生成，本次没有上传前一个镜头的新输出。

Create one new photographic parking-result still. Image 1 is ONLY a shared three-dimensional staging and scale guide; Image 2 is ONLY the visual reference for the central white protagonist sedan. Produce realistic photography, not the primitive blockout or an edit of a previously generated garage.

Scene and shared parking layout:
Reconstruct Image 1's exact small three-bay arrangement in a neutral grey office garage. The central white sedan is now reverse-parked and centred in the central bay, nose facing the foreground driving aisle. A medium silver-grey four-door sedan occupies the bay on its left and a dark graphite four-door sedan occupies the bay on its right. All three cars face the same aisle; do not turn a neighbour around or mirror the frame. The earlier target-empty view uses the same bay, neighbours, wheel stops and background. Keep the same column locations and clear front aisle from the guide. Each bay is approximately 2.65m wide and 5.4m deep; the sedans are about 4.7m long and 1.85m wide. These numbers guide scale only. Preserve realistic side clearances and parking depth, four wheels on the ground and no body/column/line intersection.

Stops and floor:
All bays have the same two low black rubber wheel stops with small yellow inserts at the rear-wheel positions, each about 0.56m wide, 0.18m deep and 0.12m tall, at the same setback. The white car's rear wheels sit just ahead of its stops, with no wheel perched on top. Allow stops to be naturally hidden by the cars rather than inventing extra blocks in front. Keep the white side lines, target bay width and aisle boundary from Image 1. No mismatched long concrete bars, oversized stops or different stop systems between bays.

Hero vehicle and reference roles:
Replace the central white blockout proxy with the white Tesla Model 3-style four-door sedan represented by Image 2. Preserve its white paint, low sedan proportions, slim front lights, dark aerodynamic wheels, black window trim, dark glass roof, white mirrors and dark flush door handles. Use Image 1 to keep its physical size comparable to the neighbours and completely inside its bay. Image 2 is a car-detail crop only: do not bring in its outdoor light, pavement, greenery or background. Do not make the white car an SUV, enlarge it to fill the frame, copy a cropped body, or render readable license text. Replace both neighbour proxies with ordinary realistic sedans, not blocky toy cars; retain their restrained colours, equal scale and orientation.

Camera and story:
Use the guide's exterior front-right three-quarter camera from the clear aisle. This is the settled parking result, not a moving car or a parking manoeuvre. The white car's complete silhouette is the primary subject in the left/central two-thirds; keep a calm region on the right for a later small editorial Parked card, but do not move a column or distort the scene to make space. Do not add an interior dashboard: the previous shot was the driver's discovery, this one is outside the car. Doors shut, wheels straight, lights subdued; any cabin occupant is not visible or identifiable. Nobody stands outside or exits the car.

Photographic treatment and constraints:
Soft neutral overhead strip lighting, plain light-grey concrete and understated ceiling pipes, matte grey epoxy floor with faint reflections, normal soft tire/chassis contact shadows. Fine photographic detail, no swirled or embossed concrete patterns, no showroom gloss, fog, exaggerated headlight bloom or coloured lights. The low-poly guide determines geometry, not final materials or vehicle styling. Add no text, digits, bay number, time, card, cyan highlight, arrow, map, interface, extra person, extra car, new garage geometry, watermark or collage. The original Parked / B2 218 / 08:47 card is added locally afterwards. Return one full 16:9 photographic scene, 2048x1152.

Image 1 是同一镜头的无箭头底图；页面左图已叠加箭头，不能直接当作本次上传输入。模型只补停车区内的车辆，指示箭头在生成后本地合成。原文的六辆为生成目标，重点是让车库显得正常使用，同时保留空位与通行空间。

Edit Image 1 by adding six realistically parked everyday passenger vehicles inside the existing parking bays beyond the ramp. This is a precise occupancy edit of the supplied photograph, not a new garage design.

Scene:
Keep the same underground office parking garage, exact windshield viewpoint, framing, perspective, concrete columns, low ramp walls, ceiling beams and pipes, strip lights, protective yellow-black corner markings and dry lightly reflective floor. The camera remains inside the same left-hand-drive vehicle before the first junction. The ramp foreground, its landing, the transverse junction and the central driving aisle must remain open and usable.

Subject:
Place three stationary commuter cars in existing marked parking bays along the left-side parking band beyond the low ramp wall, and three in existing marked bays along the right-side parking band. Distribute them through near-middle and deeper visible bays, using realistic perspective and natural partial occlusion behind the original columns. Use a charcoal sedan, a silver hatchback and a muted dark-blue compact SUV on the left, and a dark-grey compact SUV, a silver sedan and a muted grey hatchback on the right. Place each car completely inside its own existing bay; orient it consistently with that bay's floor markings. Do not park a vehicle on the ramp, at the ramp mouth, in the transverse junction or across the central driving lane. Retain a few visible unoccupied bays between or beyond parked cars, rather than implying that the whole garage is full.

Important Details:
All six vehicles are parked, switched off, and unoccupied, with normal proportions, tires resting on the floor, restrained reflections and contact shadows consistent with the existing ceiling lights. Keep a varied but ordinary office-commuter appearance, not a showroom of identical cars. Vehicle scale must agree with the original bay widths, columns and ceiling height. Keep original columns intact in front of any naturally occluded vehicle parts. License-plate surfaces should remain visually indistinct without readable invented identifiers. Preserve the quiet neutral concrete colour grade, brightness, saturation, material texture and subtle floor reflections; add only the local shadows and reflections caused by the parked cars.

Use Case:
One complete 16:9 photographic still for shot 4-03 of an existing film. The image should make the garage look normally used while a newcomer still needs guidance to locate a suitable free space. It must not portray a traffic jam or the last remaining bay. The two existing overhead dark rectangular sign faces stay blank at exactly their current positions and sizes; the original left/right arrows will be added locally afterwards.

Constraints — Change / Preserve:
Change only occupancy of the existing side parking bays by adding the six vehicles and their physically necessary shadows and reflections. Preserve the camera, all architecture and floor markings, blank overhead signs, side mirror in the garage, lights, low walls, windshield, black left A-pillar, dashboard and steering-wheel crop. Keep all travel lanes unobstructed. Preserve the original image geometry without cropping, zooming, mirroring or repositioning objects. Add no person, driver, hands, extra cabin, moving car, headlights, queue, barrier, new wall or new parking-bay layout. Add no text, digits, arrows, bay number, floor label, logo, cyan route, destination highlight, UI, map, border, collage or watermark. Return one clean edited photographic scene plate.

第 1 步：两张原始人像分别约束脸部身份与身体比例，生成角色母版 v1（原始人像不展示）。第 2 步：只上传 v1，将炭灰长裤调整为米白色，得到页面所示的 v2。以下是两次独立请求，不能合并成一次执行。

STEP 1 — Create the character reference (v1)

Create one square 2-by-2 casting reference sheet. Use Image 1 as the exact primary facial-identity reference. Use Image 2 only as the supporting full-body proportion and hair-length reference; Image 2 must not override the face from Image 1.

Scene:
A clean 2-by-2 grid on a uniform warm-neutral gray studio background (#D8D3CC), with narrow even gutters and no outer decorative border. Soft, broad, neutral daylight comes from camera-left with gentle fill from camera-right. Lighting direction, white balance, exposure, skin tone, background, and wardrobe remain identical in all four panels.

Subject:
The exact same recognizable East Asian woman from Image 1 appears once in each panel. Preserve her real facial identity from Image 1: the same slim oval face, almond-shaped dark eyes, natural eyebrow shape, nose structure, lips, jawline, warm natural skin tone, hairline, age, and individual asymmetries. Use Image 2 to preserve realistic shoulder-to-waist, leg-length, height, and long-hair proportions. Dress her consistently in a lightly structured warm-ivory blazer over an ivory matte blouse, charcoal straight-leg trousers, simple dark flat shoes, and small understated stud earrings. Natural minimal makeup; visible real skin texture.

Important Details:
Top-left panel: head-and-shoulders front view, face perpendicular to camera, direct eye contact only for identity inspection, closed lips, calm neutral expression, hair resting naturally behind one shoulder.
Top-right panel: head-and-shoulders three-quarter view turned approximately 35 degrees toward frame-right, eyes looking slightly beyond camera, closed lips, calm attentive expression.
Bottom-left panel: waist-up clean side profile facing frame-right, both eyes and nose silhouette physically coherent, head level, shoulders relaxed, closed lips.
Bottom-right panel: full-body front three-quarter standing view, feet fully visible on the same neutral floor, arms relaxed naturally at her sides, balanced posture, realistic body proportions and garment drape.

All four panels depict one person during the same studio session. Keep the exact same face, hairstyle, hair length, earrings, wardrobe colors, garment cut, body proportions, and lighting. Leave enough resolution on the three face panels to inspect eyes, nose, lips, jawline, hairline, ears, and natural skin texture. The full-body panel is functional wardrobe and proportion reference, not a fashion pose.

Use Case:
Private production identity reference for deriving consistent photorealistic stills across a workplace short film. This sheet is not a final movie frame and contains no story environment.

Constraints:
One sheet with exactly four panels and exactly one instance of the same woman in each panel. Image 1 has priority for every facial feature; Image 2 contributes only body proportions and hair length. Do not blend, average, beautify, age-shift, ethnicity-shift, slim, reshape, stylize, or reinterpret her face or body. Keep lips closed in all panels. Keep hair length, part, texture, and color consistent. Keep the same blazer, blouse, trousers, shoes, and earrings in every panel. Ignore the pink striped top, jeans, beige sweater, leather skirt, handbag, tall boots, large flower earrings, yacht, lake, trees, and all hand gestures from the references. No labels, captions, names, measurements, height lines, logos, watermark, jewelry changes, glasses, handbag, phone, vehicle, office, outdoor scenery, dramatic colored light, glamour retouching, airbrushed skin, exaggerated smile, duplicate limbs, extra fingers, cropped feet, or additional people.

STEP 2 — Update the trousers (v1 → v2)

Edit the supplied 2-by-2 character reference sheet in place. This is a small wardrobe continuity update to an established character master, not a new character sheet. Change only the existing charcoal trousers in the bottom-right full-body panel to warm ivory suiting fabric. Return one complete square 2-by-2 sheet, with all four existing panels kept in the same positions and proportions.

Change:
In the bottom-right full-body panel, recolor the existing high-waisted straight-leg trousers to a restrained warm off-white that harmonizes with the woman's existing cream blazer and ivory blouse. Preserve the same matte woven suiting texture, original waistband, tailoring, folds, leg width, hem height and ankle exposure. Retain visible creases and softly shaded folds, so the trousers keep their volume and do not become a flat white patch. Use the same neutral studio light already present in the source image. The update should read as a coordinated ivory outfit, not pure overexposed white, glossy satin or yellow fabric.

Preserve:
Keep the top-left front portrait, top-right three-quarter portrait and bottom-left side portrait unchanged in identity, facial features, expression, pose, hairstyle, clothing, lighting and framing. Preserve the bottom-right woman's exact face, age, hair, earrings, body proportions, shoulder width, waist, leg length, hands, standing pose and foot positions. Keep the original cream blazer, ivory blouse and dark flat shoes exactly as they are. Preserve the neutral studio background, floor shadows, camera perspectives, panel sizes, narrow dividers, white balance and overall exposure. Do not re-style, beautify, slim or elongate the character. The original master is the only authority for identity and anatomy.

Constraints:
Only the trouser color changes. Do not add high heels, new shoes, jewelry, makeup, a new nail design, labels, text, logos, measurements, a new pose, an extra person or additional panels. Do not turn any portrait into a full-body image or reveal clothing that was outside its existing crop. Do not replace the sheet with a different casting photo. Do not brighten the whole image or repaint the woman's skin in order to make the trousers lighter. All four panels must remain the same established woman; use the original panel content rather than inventing a new face. No collage comparison or before-and-after arrangement beyond the original four-panel reference layout.

Image 1 为原始人像参考（不展示）；Image 2 为已有站姿无字图，用于参考白车、米白服装与人车位置。左侧角色母版在本次生成中仅作本地核对，未重新上传。输出即本页 v3，尚有视线与手部问题，下一页继续修订为 v4。

Create one natural photographic storytelling frame of a woman taking a personal commemorative selfie with her first car. Use the two references only for their explicitly assigned roles. This is one candid moment, not a car advertisement, fashion pose, collage or screenshot from the phone.

Reference roles: Image 1 is the sole authority for the woman's facial identity, recognizable proportions and long dark hair. Do not transfer its boat, sea, vacation clothes, large flower earrings or gestures. Image 2 supplies the white Tesla Model 3 exterior, ivory tailored outfit and the broad front-three-quarter relationship of a woman standing near the car's front-side corner, with the car's nose directed toward image left. Do not copy Image 2's hand resting on the hood, direct look into the photographer's camera, nighttime showroom, dramatic presentation lighting or large empty title area. Where the woman's features differ, prioritize Image 1.

Scene: A quiet contemporary office-campus forecourt in early morning, with soft warm daylight, understated glass architecture and greenery gently out of focus. The car is stationary in a safe paved parking area. Keep the setting ordinary and uncluttered without recognizable company signs, license plates or readable building labels. Natural daylight and car reflections connect to a morning commute, not a nighttime exhibition.

Subject and action: The woman wears the approved ivory blazer, ivory inner top, matching straight-leg trousers, discreet small stud earrings and dark flat shoes shown by the outfit in Image 2. She stands beside the near front-side corner of her white car, comfortably away from the hood rather than leaning on it. She holds one dark smartphone vertically in her right hand, at a comfortable arm's length just above eye level. The phone screen and front-facing camera face her and the car behind her; the main film camera sees the phone's plain back and rear camera module. She looks at her own screen with a small, genuine closed-mouth smile, proud and quietly pleased. Her other arm rests naturally at her side. Keep her face fully visible and the raised phone clear of her face. No hand touching the hood, crossed model stance or eyes addressing the main camera.

Framing: Use an outside observer's medium-full three-quarter view, roughly from her knees upward, with her head and raised phone comfortably inside the frame. Keep the front light, hood edge and a substantial portion of the side doors and windows visible, so the white Model 3 is recognizable as the object of her celebration. The car faces image left. Arrange the woman's position at the near front corner and the phone in front of her so a believable wide-angle front camera can include her and the car behind her in the same selfie. Prioritize her expression and the simple phone gesture at a 1.5-second viewing time. Fill the composition with the person and car; do not reserve a large blank region for titles, shrink her into a full-car catalog shot or crop away the phone. Preserve realistic arm length, body proportions, natural wrist angle and human grip.

Use case and constraints: This frame communicates "I finally bought my first car" through a personal action, not through a label or corporate slogan. One woman, one phone, one foreground white left-hand-drive Model 3. Preserve plausible headlights, black flush door handles, mirrors, wheel shapes and connected body panels; doors are closed and the car is not moving. No duplicate people, extra fingers or limbs, floating phone, visible screen text, artificial beautification, dramatic makeup, high heels, map, cyan navigation line, hologram, title, watermark, border or inset. Render a single coherent opaque 16:9 photograph with natural skin texture and restrained warm morning light.

Edit this single reference photograph in place to correct the woman's selfie pose. Preserve the photograph's composition and scene. Return one complete photograph, not a comparison or collage.

Change the raised RIGHT hand and its perspective: This is her anatomical right hand, currently on the LEFT side of the image. Keep that hand holding the same vertical dark smartphone. Relax and slightly bend the right elbow so the forearm extends sideways toward the phone rather than strongly toward the main photographer. Bring the hand and phone a little closer to her depth plane, while retaining a comfortable arm's-length selfie distance and keeping the phone clearly left of her unobstructed face. Reduce the exaggerated apparent size of the palm, fingers and phone together; aim for roughly a fifth less projected size than in the reference, guided by believable adult anatomy rather than a tiny doll hand. Keep a continuous, proportionate shoulder–sleeve–forearm–wrist connection, a natural wrist angle and relaxed fingers holding the phone securely. The lowered left hand is unchanged.

Change head orientation and gaze together: Turn her head naturally toward her own phone on IMAGE LEFT. Her nose and chin should point visibly toward the phone, producing a gentle three-quarter face, not a frontal face addressing the main camera. Both eyes focus naturally on the upper part of her phone screen near its front camera. Let her head, pupils and the phone's inward-facing screen form a coherent sightline. Do not merely slide the pupils sideways within a front-facing head. Keep her small, pleased closed-mouth smile, recognizable facial proportions, long dark hair and small stud earrings. Make the shot read immediately as a private selfie with her first car, not as a portrait taken by another photographer while she holds up a phone.

Preserve: The woman's identity, face size, standing position, torso and leg proportions, ivory blazer and inner top, ivory trousers, relaxed lowered arm, and the existing morning color grade. Preserve the stationary white Tesla Model 3, its image-left nose direction, headlights, hood, side doors, black flush handles, mirror, windows, wheels and reflections. Preserve the paved parking area, glass buildings, trees, greenery, warm daylight, shadows, camera framing, crop and depth of field. Keep the person and car at their current scale; do not solve the hand problem by shrinking the whole woman, zooming out, changing to a wide-angle lens or recomposing the scene.

Constraints: Only one woman and one phone. Keep the screen facing her and the phone back facing the main photographer; small angle/position adjustments are allowed only to make the selfie geometry natural. Do not switch to her left hand, mirror the image, add a selfie stick, show readable phone content, add or fuse fingers, enlarge the palm, stretch a finger, disconnect the wrist, hide the face, change the car or invent new props. No retouching that changes her identity, no new makeup, no text, watermark, map, cyan route, UI, border or inset. Deliver one opaque 16:9 photograph. Local edits may reconstruct hair and sleeve edges naturally; do not paste isolated smaller hands or eye cutouts onto the image.